I started participating in Ballroom dancing
11 years ago.
Firstly,from 1999 to 2003, as a member of
club activities
in Hokkaido University, Japan.
Because I played soccer in my youthful
days,from primary school to high school,
and I was interested in musical
strongly,
I decided to join in two community(soccer and musical) after entering
Hokkaido university.
But in actuality,
I was charmed by the
world of Ballroom dancing, particularly in competition style.
So I attempted to
understand that changing of my mind
toward Ballroom dancing was something like
"integration" of two different genres.
Secondary, I was student of Ballroom dancing studio in Sapporo
city(2000-2005),
most biggest city in Hokkaido.
In that two places,
I learned basic figures
mainly towards to competition style,
including
Waltze,Tango,Slow Foxtrot,Quickstep,
Chachacha,Samba,(Cuban)Runma and Paso Doble.
Experience in this period made my
technical,physical and mental foundation in Ballroom dancing.
Continuation will be showed in another
articles.
It's true that there are some
methodological difficulties on
observing Ballroom-dance industry
but I believe
my achievement of my Danthropological aim
by referring leading figures in
academic circles.
With participating in Ballroom-dance
industry,
I can observe several significant topics,
for example,boundary between
person and person,
intersubjectivity,mind of teacher,the way of learning dancing
or teaching...
This article will be existed as something like challenging ethnographical description in Ballroom-dance industry,
as it were, ethnography of Danthropology.
Throughout looking at this attractive field and participating in several activities in it,
I aim to find a new useful knowledge about human being.
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